Alex Mercer Track and Drew Cute Drawings Easy
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"Cold Hit" has Alex and friends going after the murderer of a wealthy woman with a lot of enemies. The "cold hit" portion comes from the DNA results from a rape kit after it is revealed the dead woman was raped before she died. The DNA comes back to someone that leads us back to the New York City art world. Alex starts to worry when it seems like someone is after her, and then someone close to her gets hurt as well.
I do like the insights that Fairstein brings to sexual assault cases. I just don't like Alex. After book #4 which I also finished recently, I decided to hang up this series for good. I won't get into that for this review though. Alex in this book is dithering back and forth because she is seeing someone new (a tv news announcer) after things didn't work out between her and the last guy that was mentioned in book #2. Alex is alone because it's easier it seems, but is resentful of being alone. I don't know. She seems to want Mike and Mercer to always be there by her side, but doesn't seem to make a lot of room for the supposed men in her life.
The bickering between Alex and her supervisor is also getting old. He's technically her boss and she readily implies in this one that he is sleeping with a subordinate while the woman was sitting right there. Who knows if it's true or not, but the whole thing read as very unprofessional. I was embarrassed for her.
Alex and Mike are toxic as hell and I really want them to leave each other alone. Seriously. He talks down to her to her face and when other people are there. It's not cute or romantic.
The book takes place in New York. Fairstein adds in a lot of history in this one about Hell's Kitchen that didn't really fit in my mind while reading. The events in this one also take place a year after the events in book #2 since there is mention of Alex's age, and she was just having a birthday in the last book that put her at 34.
The ending was a joke and a half. At this point, Alex should have bodyguards with her at all times. She's always being abducted and threatened.
...moreagain.
Set in the gritty and dangerous streets of Linda Fairstein's 3rd novel in the Alexandra Cooper mystery series, "Cold Hit," a woman's body is washed ashore, whose identity reveals that she's the wife of a wealthy art collector. Alex Cooper, Mike Chapman & Mercer Wallace are thrown into the world of art, art dealers and art galleries as they follow a trail of the most dislikeable art world characters ever, who have links to the dead woman, in tracking in killer before he strikes
again.
Set in the gritty and dangerous streets of NYC
we are given an insight into the dark and greedy art world, filled with rapacious collectors, fraud, theft and art forgery.
Twists and turns, lies and danger that almost kill Mercer as he and Alex are faced with dangerous killers who will stop at nothing to stop secrets being revealed.
I enjoy the relationship between the three and I am not sure where Alex's affair with a famous newscaster will lead because I think underneath there's a lot going on between her and Mike Chapman. Oooh I did love the Martha's Vineyard part……I can just imagine her house on the beach
An absorbing plot which starts a bit slow but soon draws you in with the interesting characters and the procedures that leave you guessing until the very end.
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I didn't quite love my fourth foray into the Alexandra Cooper Series, but I did enjoy Cold Hit. This time I have to admit that a lot was going on in the novel. Open rape cases, a current case being prosecuted by Alex, and a new murder of a wealthy Gallery owner and Art collector. She has been bludgeoned to death. Her body tied to a ladder and found in the water off Manhattan. Evidence collected gets a hit - a cold hit - in the new DNA database. But the hit is of an unknown perp.
Alex,
3.5 StarsI didn't quite love my fourth foray into the Alexandra Cooper Series, but I did enjoy Cold Hit. This time I have to admit that a lot was going on in the novel. Open rape cases, a current case being prosecuted by Alex, and a new murder of a wealthy Gallery owner and Art collector. She has been bludgeoned to death. Her body tied to a ladder and found in the water off Manhattan. Evidence collected gets a hit - a cold hit - in the new DNA database. But the hit is of an unknown perp.
Alex, Mercer Wallace, and Mike Chapman are thrust into the Art World. And that world is not as beautiful as its paintings and sculptures. Denise's very wealthy (and connected) husband has motive to kill her, so do her two lovers, as does her ne'er do well Gallery partner. Another death is suspicious. And there is indications that the elderly renowned art restorer was murdered. Could the deaths be connected? And could they lead back to stolen Nazi Art or back to a great art theft that left those in that world gum-socked ten years ago? And some people want Alex and Mercer dead. Are the threats to them related to this new major case or to one or more of the cases The Sex Crime Division is currently working on? One thing is for sure is that one of three friends and working partners will be sitting on the sidelines for a while after this case is resolved.
Fairstein is a great story teller. Her prose is easy to read. She has a knack to build suspense one chapter after another. She still uses the final Jeopardy question as a comic relief - and I love that signature trait of her novels. And she knows how to skillfully twist the plot in directions that surprised me. Yet, as I stated earlier, Cold Hit has just a tad too much going on in it, but don't let that stop you from reading it. It is quite enjoyable from start to finish.
...moreLasting impressions: This was definitely not one of the most memorable crime novels I've read. The book was incredibly slow through the middle, and the ending seemed anti-climactic, despite a lot of action.
Conflicting impressions: The plot revolves around the art world, which seemed to be a really exciting premise, but somehow it didn't qui
First impressions: I adore this series, so I settled right in to the narrative. The book opens with a crime scene, which always makes for interesting reading.Lasting impressions: This was definitely not one of the most memorable crime novels I've read. The book was incredibly slow through the middle, and the ending seemed anti-climactic, despite a lot of action.
Conflicting impressions: The plot revolves around the art world, which seemed to be a really exciting premise, but somehow it didn't quite create a compelling enough story. I found the discovery phase of the investigation quite boring.
Overall impressions: Alexandra Cooper is a great character. She's a wealthy New Yorker, heads the sex crimes division of the District Attorney's office in Manhattan, and relaxes with ballet on the weekends. Her cop friends that help her investigate the crimes are playful, yet tough, and they have a good working relationship accompanied with some old-fashioned ribbing.
Though the book unfurls at a snail's pace, the glimpse into the cut-throat nature of the art bidding process and how rich people build up their collections is quite interesting. I'm not convinced that it was tied in well enough to the actual crimes, however. When the big reveal came at the end, the motivation just didn't quite gel enough to the severity of the crime.
Still, this was a satisfying way to quench my mystery thirst. I enjoy the characters enough to let a little plot fizzle slide, and I'll pick up another Cooper mystery when I get the chance.
...moreBalancing a new love life and a busy docket of cases, Alex - joined by police detectives Mike Chapman and Mercer Wallace - struggle to find clues to who may have wanted the woman dead: her estranged husband, her business partner, her lovers or is there someone else? And why - was she
The body is dragged out of the river tied to a ladder and without a name. But soon the police get an ID and Alexandra Cooper is soon on the hunt for whomever killed the beautiful art gallery owner and art collector.Balancing a new love life and a busy docket of cases, Alex - joined by police detectives Mike Chapman and Mercer Wallace - struggle to find clues to who may have wanted the woman dead: her estranged husband, her business partner, her lovers or is there someone else? And why - was she dealing in stolen artwork?
Fairstein has developed a wonderful set of characters and this is a true action-packed book that keeps you reading all the way through. But like some of these books, I wonder if an assistant district attorney would really find herself in the midst of car chases and shoot outs?
...moreFirstly and easily the biggest is that Alex Cooper is an Assistant District Attorney NOT AA POLICE OFFICER! But the NYPD don't appear to be able to go out hunting, for clues, interviewing witnesses, solving crime, discuss strategy, hold team meetings, chase suspects around New York without Alexandra Cooper being with them/i Firstly let me say I really like Linda Fairstein's books and the Alexandra Cooper series but that doesn't mean I don't have some real issues with the series. I'll start with:-
Firstly and easily the biggest is that Alex Cooper is an Assistant District Attorney NOT AA POLICE OFFICER! But the NYPD don't appear to be able to go out hunting, for clues, interviewing witnesses, solving crime, discuss strategy, hold team meetings, chase suspects around New York without Alexandra Cooper being with them/involved. They can't do a thing without her. TOTALLY UNBELIEVABLE. I know Ms Cooper is a younger version of Ms Fairstein in her day-today career and perhaps she writes in this way to make herself look more exciting/invaluable/needed.
Secondly Alex has two sidekicks, the detectives she plays Batman, Robin and Batgirl with, Mercer is a bit in the background but seems decent but it's the other half of the double act and almost as big a part of books as Coop, Mike Chapman. He doesn't have one redeeming quality and is totally unlikeable and makes you want to stop reading. He's arrogant, rude and worst of all thinks he's funny; a couple of times there's a line that'll make you smile but the rest of the time the quotes are cringe worthy.
And thirdly, and linked to the third, is the fact that in all of the Alexandra Cooper novels I've read she is captured by the killer who comes after her, as she's the one solving the crime, and it's touch and go whether she's the final victim.
Anyway to Cold Hit. A female body is washed up on the river bank and investigation discovers that she is Denise Lowell, the young(ish) wise, of mega rich Lowell Caxton. Both are involved in the art world and this plus further murders all leads to art, stolen works and even the Nazi treasures from WW2.
It's a woven story that keeps you interested and is a real page turner, even allowing for the gripes listed at the top.
If you can put up with the issues raised it's an exciting book and a good story that keeps you guessing.
Give it a go! ...more
The first years of a nationwide DNA database. The perfecting of using PCR technology to speed up the processing of DNA evidence. The slow change in how rape cases are trea
I think I've said this before, but I wish I'd started reading this series years ago. Though, I'll admit, reading it with the sense of nostalgia that it brings with it -- each book is set in the year in which it's set, in terms of legal, political and other matters, for good or for ill -- is an interesting experience of its own.The first years of a nationwide DNA database. The perfecting of using PCR technology to speed up the processing of DNA evidence. The slow change in how rape cases are treated by the legislature, the judiciary, the press and the general public (of whom juries are made). It's interesting to be reminded of how much has changed in less than 20 years. I'm even more intrigued to see how things change after 2001.
This book was especially intriguing because of its connection to the art world -- both in NYC and worldwide. Having ventured into Chelsea's galleries for the first time last year, not to mention personally discovering the High Line, the book's focus felt especially relevant to me. And Fairstein's descriptions of Martha's Vineyard ... an island that I've generally thought of as for other people is now on my short list of places to spend some vacation time.
As for the mystery itself, it was complicated yet compelling, as with all of Fairstein's works. Despite my desire to find out whodunnit, however, I couldn't rush through the book -- the descriptions, the conversations, everything was just too well written to speed through. As I've said before, I'm very much looking forward to the next in the series.
...moreThe best thing about this series is the insight it gives into the workings of the criminal justice system. It is a system that Linda Fairstein knows well from her twenty-five years as a prosecuting attorney. An additional bonus is an insight into the nooks and crannies of New York City. One could almost use the books as a guide to spending the day in the big city. I don't know if some of the individual places she describes actually exist but if one wanted to go looking for them the directions are there. There is also a connection to the real world; a ripped from the headlines quality about the novel. Here the connection is the art theft from the Isabel Stuart Gardener Museum in Boston in which thieves walked off with priceless paintings almost in broad daylight. That case is still unsolved, nor is it solved in this novel although the proposed solution seems plausible.
...moreReading some of the other reviews - you have to get over the fact that Alex Cooper will always be right with the NYPD in interviewing suspects/informants and doing detective work despite the fact that she's an ADA. And assuredly will always find herself in harm's way in Fairstein's novels
I would give this 3.5 stars if I could. Fairstein writes a good plot line in this one and really doesn't give many clues as to the real "who done it" until the very end. Honestly had no clue until the very end.Reading some of the other reviews - you have to get over the fact that Alex Cooper will always be right with the NYPD in interviewing suspects/informants and doing detective work despite the fact that she's an ADA. And assuredly will always find herself in harm's way in Fairstein's novels (I've not read them in order, which I'm now trying to do, but spoiler alert, this happens in almost all of them). What I have a problem with in many of her books is there are too many extraneous plot lines that don't relate to the story at hand - and this is the case in Cold Hit as well. For example, I'm not quite sure what the plot line about the West Side rapist has to do with Cold Hit, unless Fairstein is just setting this up for the next book (which I haven't ready) or she's just trying to tout New York's Special Victim's Unit.
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A merry chase through this now expensive neighborhood will remind readers that NYC is constantly remaking itself into a place to discover.
When a murder victim is found tied to a ladder on the shores of Manhattan, Cooper, Chapman, and Wallace investigate her murder. It takes them to art galleries on Manhattan's East Side, in Chelsea and the Meatpacking district long before the High Line park replaced the abandoned tracks. Learn about the High Line, the warehouses, and contemporary art.A merry chase through this now expensive neighborhood will remind readers that NYC is constantly remaking itself into a place to discover.
...moreby Linda Fairstein
A really good read and I learnt a few things to
I love Art History and studied a year at uni wished I did more but life gets in the way sometimes but some of the subject matter in this book had me getting y books out again.
of course there is the murder to follow and Alex, Mercer and Mikes lives to catch up with and a mystery that gets solved in the last few pages
really enjoyed
Like Fairstein, Alex ('Coop') Cooper is in charge of the Special Victims Unit of th
Linda Fairstein (born 1947) is one of America's foremost legal experts on crimes of violence against women and children. She served as head of the sex crimes unit of the Manhattan District Attorney's office from 1976 until 2002 and is the author of a series of novels featuring Manhattan prosecutor Alexandra Cooper.Like Fairstein, Alex ('Coop') Cooper is in charge of the Special Victims Unit of the Office. She works closely with NYPD detectives Mike Chapman and Mercer Wallace. The 17th book in her best-selling series - DEVIL'S BRIDGE - launches in paperback in June, 2016. The 18th novel - KILLER LOOK - debuts on July 26th.
This year, Fairstein will debut a new series for Middle Grade readers - 8-12 years old. Her kid sleuth, Devlin Quick, appears in INTO THE LION'S DEN in November, 2016. The series is an homage to Nancy Drew, whose books inspired Linda's two careers - in crime fiction and in the law.
Ms. Fairstein is an honors graduate of Vassar College (1969) and the University of Virginia School of Law (1972). She joined the Manhattan District Attorney's office in 1972 as an Assistant District Attorney. She was promoted to the head of the sex crimes unit in 1976. During her tenure, she prosecuted several highly publicized cases, including the "Preppy Murder" case against Robert Chambers in 1986.
Linda Fairstein left the District Attorney's office in 2002, and has continued to consult, write, lecture and serve as a sex crimes expert for a wide variety of print and television media outlets, including the major networks, CNN, MSNBC among others. Ms. Fairstein is often called to provide her opinion on high profile prosecutions including: Michael Jackson's molestation charges in 2004, Kobe Bryant's sexual assault charges, and Scott Peterson's trial. She is also a frequent speaker on issues surrounding domestic abuse.
Ms. Fairstein lives in Manhattan and on Martha's Vineyard with her husband, Michael Goldberg. Her novels draw on Ms. Fairstein's legal expertise as well as her knowledge of and affection for the rich history of the city of New York.
Series:
* Alexandra Cooper Mystery
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